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Saving Elvis

A young man hiding inside a legend.
A boy who never learned how to grieve.

The Story

Saving Elvis is an original musical about performance, grief, and the cost of becoming the thing people love you for.

Steve has spent his adult life performing as Elvis Presley. What began as comfort after the death of his mother has slowly hardened into an identity he no longer knows how to step out of. Onstage, he is adored. Offstage, he is fading.

When the place that once held him, and the voice that protected him begin to fall away, Steve is forced to choose between staying inside the performance, or risking being seen without it.

The Diner

The diner is where Steve learned how to survive. A place of routine, familiarity, and small nightly rituals.

It is not glamorous, but it is human. People know his name. They notice when he’s missing. The floor remembers every version of him.

It is also a place that cannot last. Love, here, comes with gravity, and with limits.

The World Beyond

The world beyond the diner is polished, temporary, and designed to move on without you.

Dressing rooms repeat from city to city. Flowers arrive. Bottles open. The mirror lights glow, and then everything is cleared for the next night.

This world offers scale, momentum, and applause. It asks for consistency instead of intimacy. The show continues, whether Steve can or not.

Characters

Steve

Steve

Elvis impersonator

Charismatic, gifted, and emotionally blocked. Steve learned to survive through performance — and now must decide who he is without it.

Jamie

Jamie

Sound tech / songwriter

Smart, perceptive, and quietly brave. Jamie sees the man beneath the costume and challenges Steve to finish the song — and himself.

Doug

Doug

Steve’s grandfather

The keeper of the diner and its debts. Doug carries love and regret in equal measure, afraid that music will take another person he loves.

Brenda

Brenda

Diner mainstay

Sharp, funny, and fiercely loyal. Brenda is the emotional backbone of the diner — the one who keeps people standing when the floor cracks.

Lana

Lana

PR strategist

Polished, precise, and ruthless. Lana sees Steve as a narrative — a brand to be scaled, not a person to be protected.

Morrie

Morrie

Talent agent

Old-school, charismatic, and dangerous. Morrie promises the world — as long as Steve is willing to belong to it.

The Journey

A life lived in two movements.

Act I — The Mask

Steve performs nightly at the King’s Table Diner. A familiar room, a small wooden platform, the same faces returning again and again.

The act is controlled, contained, and safe. Applause comes easily, grief stays buried, and the world feels manageable.

When outside figures offer him scale, reach, and reinvention, Steve chooses the promise of more, just as the place that held him begins to fall apart.

Act II — The Voice

Success brings distance. Dressing rooms replace diners. Applause grows louder as connection fades.

The performance becomes perfect — but perfection leaves no room for truth.

When the mask finally cracks in public, Steve must decide whether to remain a product, or reclaim the voice he buried to survive.

The Music

Saving Elvis is driven by an original contemporary musical theatre score, written to explore grief, performance, and identity through Americana, blues, and roots-inflected rock.

The songs draw on the musical language and emotional lineage of Elvis Presley’s work — not as imitation, but as a foundation from which Steve’s own voice gradually emerges.

The audio samples below are selections from the original score. The production also incorporates a small number of licensed Elvis Presley recordings, used selectively and dramaturgically to represent the public persona Steve performs. Specific titles will be confirmed in consultation with rights holders during development.

Who Am I Steve
I'll Make You A Star Morrie
What About Me Jamie
The Floor Was Mine Brenda
If the World Would Start Again Steve
Rise Up Ben
Our Place Jamie & Steve

The score is born in private moments, stripped back, imperfect, and human, before it ever reaches a stage.

Steve and Jamie’s songwriting space

Note: Elvis Presley recordings referenced in the production are subject to licensing and will be finalised during development in collaboration with rights holders.

Staging & Form

Designed for minimal sets, fluid transitions, and intimate venues, the diner exists as a single core environment, reshaped by lighting, sound, and performance rather than scenery.

The diner is not presented as a period setting, but as a living, working space that continues to exist in the present. It is a place of routine, refuge, and informal performance where people still gather, still watch, and still listen.

Memory and reality coexist onstage, allowing the past to interrupt the present without scene changes or physical rebuilds.

The diner set revealed as a partial ruin, with a circular performance floor at its centre

Creative Team

The artists shaping the voice, sound, and world of Saving Elvis.

Adrian Grant portrait

Adrian Grant

Producer

Adrian Grant’s career in the entertainment and media industries spans more than three decades as a producer, publisher, artist manager, and author. He is the creator of Thriller Live, one of the longest-running West End musicals of all time, seen by over five million people worldwide.

Racky.jpg

Racky Plews

Director

Racky Plews is an award-winning director and choreographer whose work spans theatre, television, and large-scale live entertainment. Her extensive credits include West End productions and international tours such as American Idiot, Footloose, Thoroughly Modern Millie, Knights of the Rose, and Me & My Girl, alongside screen work for Disney+ and the BBC. She is currently directing I’m Every Woman, the Chaka Khan musical starring Alexandra Burke. Known for her emotionally driven storytelling and dynamic staging, Racky brings clarity, momentum, and human connection to contemporary musical theatre.

Ian M. Wilson portrait

Ian M. Wilson

Writer, Composer & Lyricist

Ian began his career as a songwriter and musician before moving into film and television, working at Twickenham Film Studios and later as a writer-producer on documentary projects. His work now focuses on feature film scripts & original stage musicals that explore identity, memory, and emotional inheritance.

Contact

For script and enquiries:

Email: adrian@adriangrantproductions.com